Why Photographers Should Expect Big Gains in Efficiency in Adobe Photoshop CS6

Photoshop CS6 offers many remarkable new features for photographers, including features like the new Blur Gallery in addition to a brand new Lighting filter (to name two obvious examples). However, some of the most important features that can help us to be more effective and efficient photo editors, are real “hidden” gems. You may possibly not read as very much about them or see them when you launch the app, but these people are easy to locate are worth exploring. This article demonstrates a number of my favorite options for working more efficiently in Photoshop CS6.

Important Preferences

Few digital editing topics seem as pedestrian as Photoshop Preferences, but there are usually some very helpful new alternatives that you’ll want to set up first thing, once you install and launch Photoshop CS6. Let’s take a new look at General Preferences and Interface Preferences 1st.

Probably the most common task regarding photographers is resizing images. When resizing a photo in soft filer there are two options used significantly more often than the others — Bicubic Crisper for reducing the -pixel dimensions of any photo, in addition to Bicubic Smoother for growing the pixel dimensions associated with a photo. Traditionally, a person would set one or even one other as the standard, based on which type a person used more. Nevertheless, virtually any time you needed to be able to change your resize work, you had to buy handset this parameter inside the Image Size dialog box.

For CS6, there is a new alternative called Bicubic Automatic (Figure 1). This does just what you’d expect: this detects during resizing regardless of whether you are increasing or even decreasing the dimensions of the photo and then instantly applies the proper protocol on the fly. During the time this will conserve photographers a lot associated with extra clicks. Within just Interface preferences, we possess three brand new ways of viewing the Photoshop user interface. Under the particular Appearance area, you’ll observe four Color Themes (Figure 2) that transform the user interface and all sorts of their panels, tools, buttons, and widgets, to a particular shade of grey. The right-most (lightest) shade may be the traditional Photoshop default. For those who enjoy working with the dark UI of Lightroom or Adobe video programs, there are two options of which use a darker greyish scheme.

Also within the Interface Choices, in the “Options” section, right now there is a new pop-up menu called Show Transformation Values. This feature location a live display of the values that usually are being transformed for the active layer (for example x and y heads, or height and width), as you perform the work. You can choose where the transform data will certainly display, relative to your current transform marquee. I typically default to Top Right, as that’s where the eye has a tendency to scan as I’m working this new information display that could help speed things along when you’re nudging or even transforming layers to accurate specifications on the document. Probably the single biggest improvement towards the efficiency of Photoshop’s work is that we can now use Background Saves and Auto-Recovery so that whenever a crash occurs, we can pick up where we left off once Photoshop is re-launched! First, Check the Save in Background option. The advantage of this feature (which has been on several Photoshop “wish lists” for any long time) is basic: now, when you have a large file you need to save, the activities associated with saving the current document state no longer connections Photoshop up. You can continue working on other open documents while typically the save is taking spot. Background saves along with multi-core CPU and GRAPHICS acceleration– are most likely the biggest time-saving features introduced given that the History panel.

While Photoshop CS6 has already been quite stable for me personally, occasional crashes are inevitable with any application that will create and works with large, complex media documents. Just below the Help save in Background option mentioned earlier, if you simply click the “Automatically Save Recuperation Information” pop-up menu, you can select auto-save increments of 5, 10, 12-15, 30, or 1 hr. Whenever you re-launch from the subsequent crash, your record will probably be recovered in its most recently saved condition, layers and all. While it’s always been a good idea to save documents regularly, we all forget to do this from time to time. This specific feature can greatly decrease the possibility of dropping important work (and taking a loss from having to do the work a second time) because of the crash, power outage or other disruption to Photoshop.